Liebe Leser schliesst seine Tore. Nach 11 Jahren möchte ich andere Projekte verwirklichen, auf Reisen gehen und das Leben endlich in vollen Zügen geniessen. Es waren 11 wundervolle Jahre mit Ihnen. bleibt mindestens die nächsten Jahre als Bilderbuch noch bestehen. Doch jeder Abschied kann auch ein neuer Anfang sein. Nun ist es endgültig. Ich wünsche Ihnen eine weiterhin schöne Zeit. Ich danke Ihnen für die Lesertreue und Ihre ehrliche Begeisterung mit grosser Dankbarkeit. Danke, dass ich Sie 11 Jahre verwöhnen durfte.

Tschau und auf Wiedersehen.

Marcel Krebs

Wer weiterhin mit mir und Sämi in Kontakt bleiben will, kann dies über meinen persönlichen Blog.

Dear Users closes its gates. After 11 years I would like to realize other projects, go on journeys and finally enjoy life to the fullest. There were 11 wonderful years with you. will continue to exist as a picture book for at least the next few years. But every farewell can also be a new beginning. Now it is final. I wish you a good time. I would like to thank the readership and your honest enthusiasm with great gratitude. Thank you for spoiling you for 11 years.

Chess and goodbye.

Marcel Krebs

Anyone who wants to stay in touch with me and Sämi can do so through my personal blog.



“Isamu Noguchi, Archaic/Modern”

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grey sun

ISAM NOGUCHIGREY SUN 1967 Arni marble Smithsonian American Art Museum, Gift of the artist Photo by Gene Young © The Isamu Noguchi Foundation and Garden Museum, New York

 “Isamu Noguchi, Archaic/Modern” Presents a Fresh Perspective on the Innovative Vision of This Modern Master

Isamu Noguchi (1904–1988) was among the most innovative American sculptors of the 20th century. His design for “Sculpture to Be Seen from Mars” (1947) anticipates the space age by several decades. Even as he created works that were far ahead of his time, Noguchi frequently found inspiration in ancient art and architecture—from Egyptian pyramids and Buddhist temples to Zen gardens and American Indian burial mounds. “Isamu Noguchi, Archaic/Modern” explores how the ancient world shaped this artist’s vision for the future.

“Isamu Noguchi, Archaic/Modern” is on view in the museum’s main building from Nov. 11 through March 19, 2017. Dakin Hart, senior curator at The Noguchi Museum, and Karen Lemmey, curator of sculpture at the Smithsonian American Art Museum, organized the exhibition. The Smithsonian American Art Museum is the sole venue for this exhibition, which is expanded from an earlier installation at The Noguchi Museum.
“Isamu Noguchi—born in Los Angeles, raised and educated in Japan, Indiana, New York and Paris—was among the first American artists to think like a citizen of the world,” said Betsy Broun, The Margaret and Terry Stent Director of the Smithsonian American Art Museum. “The exhibition is the latest in a series of major shows to examine the contributions of such international artists as Nam June Paik, Christo, Yasuo Kuniyoshi and Tamayo, and their broad perspectives.”

leda brassiiiiii

ISAMU NOGUCH LEDA 1928 Aluminum, bronze and brassThe Isamu Noguchi Foundation and Garden Museum, New YorkPhoto by Kevin Noble © The Isamu Noguchi Foundation and Garden Museum, New York

“Isamu Noguchi, Archaic/Modern” brings together 74 works, nearly all on loan from The Noguchi Museum, made during the artist’s six-decade career. The artworks reflect Noguchi’s striving for timelessness through the abstraction of things, places and ideas. Featured works—including several monolithic basalt sculptures, fountains, designs for stage sets and playgrounds and floating Akari light sculptures—are organized in themes of particular interest to Noguchi: landscape, invention, the atomic age, outer space and social spaces. Noguchi saw himself as both artist and inventor, and the exhibition devotes special attention to his patented designs, such as “Radio Nurse,” the first baby monitor.

“The juxtaposition of the terms ‘archaic’ and ‘modern’ is an attempt to fold space-time in a way that is true to Noguchi’s attempts to make the practice of sculpture an expression of relativity in the modern, Einsteinian sense,” said Hart. “Noguchi exists somewhere in the fusion of these two abstract notions of time, and my hope is that by exhibiting his sculptures in thematic groupings we add to the scope of their meaningfulness and highlight the adaptability of Noguchi’s values to the future.” “Noguchi’s work—which encompasses tradition and progress, the timeless and the modern— still resonates with contemporary audiences despite being created decades ago,” said Lemmey. “It is particularly wonderful to see the museum’s ‘Grey Sun,’ which was a gift from Noguchi, in this broader context that shows how ahead of his times Noguchi was with his unique perspective on global


Dance Performance by the Martha Graham Dance Company
A ticketed presentation of “Cave of the Heart” by the Martha Graham Dance Company will take place in the museum’s McEvoy Auditorium Friday, March 3, 2017, at 7 p.m. This powerful, oneact performance features a set and costume created by Noguchi that is considered an extension of the
dancers’ movements. Tickets for this special opportunity to see Noguchi’s work come alive through dance will be available for purchase online for $30 beginning Jan. 30, 2017, at Tickets are non-refundable. Support for this program comes from the Secretary of the Smithsonian and the Smithsonian National Board.

Public Programs
Hart will present the central ideas of the exhibition in a talk in the museum’s McEvoy Auditorium Thursday, Dec. 1, at 6 p.m. The 21st Century Consort will perform music that accompanied dance performances by modern-dance icons Martha Graham and Merce Cunningham, both of whom collaborated with Noguchi, and other pieces inspired by Noguchi’s modernism Saturday, Feb. 4, 2017; a pre-concert discussion at 4 p.m. is followed by the concert at 5 p.m. Several gallery talks will take place in the exhibition; Lemmey will lead a tour Wednesday, Jan. 11, 2017, at 5:30 p.m. and Wednesday, Feb. 8, 2017, at 5:30 p.m. and Ariel O’Connor, dancerturned- objects-conservator at the museum, will discuss materials used by the artist and his
collaboration with Graham Tuesday, Nov. 15, at 4 p.m. and Thursday, Jan. 12, 2017, at noon. The museum will present a series of films about Noguchi, in collaboration with the Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery, Saturday, Dec. 10, from 3 to 6:30 p.m., including Isamu
Noguchi (1972) with Buckminster Fuller and directed by Christian and Michael Blackwood, the avantgarde short Visual Variations on Noguchi (1945) directed by Marie Menken and The Face of Another

The exhibition’s accompanying catalog includes an essay by Hart that traces themes in the
artist’s 60-year career—an expansive vision that ranged from landscape art to garden and playground
designs, from sculptures featuring planets and outer space to those grappling with the atomic age, and
from patented lamps and furniture to modern dance sets and costumes. More than 60 full-color plates
highlight the timeless appeal of this thoroughly modern artist. The book, published by the museum in
association with D Giles Limited, London, is available in the museum store and online ($45).

Noguchi Spider Dress and Serpent

1946 In Isamu Noguchi, Archaic/Modern at the Smithsonian American Art Museum © The Isamu Noguchi Foundation and Garden Museum, New York

Noguchi Age

INSTALLATION VIEW - ISAMU NOGUCHI, AGE 1981 In Isamu Noguandchi, Archaic/Modern at Smithsonian American Art Museum © The Isamu Noguchi Foundation Garden Museum, New York

Noguchi Akari Lights


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