sman

Liebe Leser
Sport-heute.ch schliesst seine Tore. Nach 11 Jahren möchte ich andere Projekte verwirklichen, auf Reisen gehen und das Leben endlich in vollen Zügen geniessen. Es waren 11 wundervolle Jahre mit Ihnen. Sport-heute.ch bleibt mindestens die nächsten Jahre als Bilderbuch noch bestehen. Doch jeder Abschied kann auch ein neuer Anfang sein. Nun ist es endgültig. Ich wünsche Ihnen eine weiterhin schöne Zeit. Ich danke Ihnen für die Lesertreue und Ihre ehrliche Begeisterung mit grosser Dankbarkeit. Danke, dass ich Sie 11 Jahre verwöhnen durfte.

Tschau und auf Wiedersehen.

Ihr
Marcel Krebs

Wer weiterhin mit mir und Sämi in Kontakt bleiben will, kann dies über meinen persönlichen Blog.
www.marcelkrebs.ch.

Dear Users
Sport-heute.ch closes its gates. After 11 years I would like to realize other projects, go on journeys and finally enjoy life to the fullest. There were 11 wonderful years with you. Sport-heute.ch will continue to exist as a picture book for at least the next few years. But every farewell can also be a new beginning. Now it is final. I wish you a good time. I would like to thank the readership and your honest enthusiasm with great gratitude. Thank you for spoiling you for 11 years.

Chess and goodbye.

you
Marcel Krebs

Anyone who wants to stay in touch with me and Sämi can do so through my personal blog.
www.marcelkrebs.ch.

 

 

Paint the Revolution: Mexican Modernism, 1910 - 1950

Geschrieben von SHOWONSHOW am .

 MEX Image 3 Self Portrait on the Border Line

Frida Kahlo, Self-Portrait on the Border Line Between Mexico and the United States, 1932.Colección Maria y Manuel Reyero, New York. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

 Paint the Revolution: Mexican Modernism, 1910–1950

October 25, 2016 - January 8, 2017


Witness an extraordinary moment in the history of modern art, one fueled by cultural and political revolution.
From the start of the Mexican Revolution in 1910 to the aftermath of World War II, artists and intellectuals in Mexico were at the center of a great debate about their country’s destiny. The exhibition tells the story of this exhilarating period through a remarkable range of images, from masterpieces by Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, Frida Kahlo, and Rufino Tamayo to transfixing works by their contemporaries Dr. Atl, María Izquierdo, Roberto Montenegro, Carlos Mérida, Manuel Álvarez Bravo, and many others.
Paint the Revolution offers a deep look at the forces that shaped modern art in Mexico, the progress of which was closely watched around the world. The exhibition takes its name from an impassioned essay by American novelist John Dos Passos, who saw Mexico’s revolutionary murals during a visit to Mexico City in 1926–27.


In addition to featuring portable murals, easel paintings, photographs, prints, books, and broadsheets, the exhibition will display murals by the Tres grandes (Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros) in digital form.
The Philadelphia Museum of Art presents this landmark exhibition in partnership with the Museo del Palacio de Bellas Artes in Mexico City. Drawn from US and Mexican collections, it is the most comprehensive exhibition of Mexican modernism to be shown in the United States in more than seven decades.

Mex Mod IMAGE 3 Portrait of Guzman

Portrait of Martín Luis Guzmán, 1915. José Diego María Rivera, Mexican, 1886-1957. Oil on canvas, Fundación Televisa Collection.

Mex Mod IMAGE 8 My Dress Hangs There

My Dress Hangs There (Mi vestido cuelga ahi), 1933-1938. Frida
Kahlo, Mexican, 1907-1954. Oil and collage on masonite,
Coleccíon FEMSA

PHILIDELPHIA MUSEUM

 

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