Liebe Leser schliesst seine Tore. Nach 11 Jahren möchte ich andere Projekte verwirklichen, auf Reisen gehen und das Leben endlich in vollen Zügen geniessen. Es waren 11 wundervolle Jahre mit Ihnen. bleibt mindestens die nächsten Jahre als Bilderbuch noch bestehen. Doch jeder Abschied kann auch ein neuer Anfang sein. Nun ist es endgültig. Ich wünsche Ihnen eine weiterhin schöne Zeit. Ich danke Ihnen für die Lesertreue und Ihre ehrliche Begeisterung mit grosser Dankbarkeit. Danke, dass ich Sie 11 Jahre verwöhnen durfte.

Tschau und auf Wiedersehen.

Marcel Krebs

Wer weiterhin mit mir und Sämi in Kontakt bleiben will, kann dies über meinen persönlichen Blog.

Dear Users closes its gates. After 11 years I would like to realize other projects, go on journeys and finally enjoy life to the fullest. There were 11 wonderful years with you. will continue to exist as a picture book for at least the next few years. But every farewell can also be a new beginning. Now it is final. I wish you a good time. I would like to thank the readership and your honest enthusiasm with great gratitude. Thank you for spoiling you for 11 years.

Chess and goodbye.

Marcel Krebs

Anyone who wants to stay in touch with me and Sämi can do so through my personal blog.



International Pop

Geschrieben von SHOWONSHOW am .

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Ice Cream, 1964
Evelyne Axell, Belgian, 1935–1972
Oil on canvas
37 1/2 x 27 1/2 inches (95.3 x 69.9 cm)
Collection of Serge Goisse, Belgium
© Artists Rights Society (ARS), New York / ADAGP, Paris

International Pop

February 24, 2016 - May 15, 2016
Find out how Pop art’s embrace of popular culture and imagery became a worldwide phenomenon.

This exhibition chronicles Pop art’s emergence as an international movement, migrating from the United Kingdom and the United States to western and eastern Europe, Latin America, and Japan. Although Pop arose in distinct forms within each region, artists expressed a shared interest in mass media, consumerism, and figuration. International Pop navigates a fast-paced world packed with bold and thought-provoking imagery, revealing a vibrant period shaped by social and political revolution.

IP IMAGE 12 Oiran

Plexiglas and acrylic on canvas 72 1/4 × 72 1/4 inches (183.5 × 183.5 cm) Museum of Contemporary Art Tokyo © Ushio and Noriko Shinohara

Focusing on work made from 1956 to 1972, the exhibition presents Pop art as a movement that is at turns celebratory, critical, and probing in its message. It reveals the energetic exchange that contributed to a reimagining of art’s relationship to societies in flux. American and British Pop is presented alongside lesser known but equally potent examples from Brazil, Argentina, Germany, France, Italy, Slovakia, Japan, and other creative centers.

With 120 works, including paintings, sculptures, prints, collage, assemblage, installation, film, and ephemera, the exhibition highlights influential artists from twenty different countries. Among them are Andy Warhol, Jasper Johns, Roy Lichtenstein, Tom Wesselmann, and Ed Ruscha (US); Richard Hamilton, Pauline Boty, Peter Blake, and Clive Barker (UK); Gerhard Richter, Sigmar Polke, and Konrad Lueg (Germany); Ushio Shinohara, Keiichi Tanaami, and Osamu Tezuka (Japan); Hélio Oiticica, Wanda Pimentel, and Antonio Dias (Brazil); and Marta Minujín, Dalila Puzzovio, and Edgardo Giménez (Argentina).


Oil on two canvas sections 7 feet 11 1/4 inches × 8 feet 1/2 inches (241.9 × 245.1 cm) Philadelphia Museum of Art, Purchased with the Edith H. Bell Fund, 1982 © Visual Artists and Galleries Assoc., Inc. (VAGA), New York


International Pop is organized by the Walker Art Center.

IP IMAGE 3 Still Life 35

1963 Oil and collage on canvas Overall, on four canvases: 10 × 16 feet (304.8 × 487.7 cm) Collection of Claire Wesselmann © Visual Artists and Galleries Assoc., Inc. (VAGA), New York


This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Major support for the exhibition is provided by the Henry Luce Foundation, the Prospect Creek Foundation, the Terra Foundation for American Art, The Andy Warhol Foundation for the Visual Arts, and the Margaret and Angus Wurtele Family Foundation. Additional support is generously provided by Judy Dayton, Lyn De Logi, Marge and Irv Weiser, and Audrey and Zygi Wilf.

In Philadelphia, the exhibition is supported by the Estate of Phyllis T. Ballinger, the Women’s Committee of the Philadelphia Museum of Art, The Annenberg Foundation Fund for Major Exhibitions, The Laura and William C. Buck Endowment for Exhibitions, the Roy Lichtenstein Foundation, and the Japan-United States Friendship Commission. Additional generous donors include John Alchin and Hal Marryatt, Mitchell L. and Hilarie L. Morgan, Isabel and Agustín Coppel, Marsha and Jeffrey Perelman, and Lyn M. Ross.

IP IMAGE 4 Standard Station

1963 Oil and collage on canvas Overall, on four canvases: 10 × 16 feet (304.8 × 487.7 cm) Collection of Claire Wesselmann © Visual Artists and Galleries Assoc., Inc. (VAGA), New York


Erica F. Battle, The John Alchin and Hal Marryatt Associate Curator of Contemporary Art


Dorrance Special Exhibition Galleries, first floor

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